I was an egg inside an egg inside her

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Our practices are rooted in intuitive, process-driven mark making, where drawing and painting function as points of departure for broader, multidisciplinary exploration. We work experimentally, allowing emotion, sensation, and reflection to determine both form and medium. Whether through pencil, paint, text, sculpture, or installation, our work evolves through layered processes that privilege intuition, discovery, and transformation over fixed outcomes.
We share a deep interest in the power of ephemera and fragmentary narratives. Literary snippets, partial memories, overheard language, forgotten histories, and dreamlike symbolism inform our visual worlds, guiding the emergence of figurative scenes, expressive forms, and immersive environments. These fragments are not treated as static references, but as generative material that invites reinterpretation and imaginative expansion.
Myth, the subconscious, and the porous boundary between the real and the surreal recur throughout our work. We are drawn to figures and symbols that blur distinctions between human, animal, and mythological forms, and to imagery that oscillates between the grotesque and the tender, the chaotic and the intimate. Organic textures, layered surfaces, and expressive mark making evoke cycles of decay, desire, transformation, and becoming.
Collaboration is central to both of our practices. We regularly work with artists from other disciplines, including filmmakers, musicians, performers, and writers, creating visual languages that respond to and reinforce shared narratives. These collaborations function as spaces of exchange, experimentation, and mutual influence, where ideas are shaped collectively and meaning emerges through dialogue.
At its core, our shared practice is an inquiry into lived experience, memory, and the stories we construct about ourselves and one another. By weaving together personal mythologies, daily life, and imagined histories, our work invites viewers into worlds that are emotionally charged, sensorial, and open ended. Each piece operates as an artefact or portal, offering a space in which curiosity, ambiguity, and transformation can unfold.

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